Wet Paint

Artists' Materials & Framing in St. Paul, MN


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Fall’s Rich Mix of Classes

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This blog post was written by Virginia McBride, Classes and Events Manager at Wet Paint

Things we can count on at this time of year: the farmers markets are brimming with produce, the days are a little shorter, the air has started to turn a little cooler, the crickets are chorusing, the Minnesota State Fair is underway and soon Fall classes will start up at Wet Paint.

We are excited to bring you a robust season of classes that will support your continuing creative pursuits or perhaps introduce you to new materials or techniques for the first time.

Our fall catalog and online listings are ready. Here’s a look at what’s in store:

You’ll find multi week courses in watercolor and acrylic painting, awakening creativity, italic lettering, drawing animals, urban sketching, and rosemaling; daylong or weekend immersive workshops in folded and ruling pen lettering, collage, gestural watercolor, drawing facial features, oil painting without solvents, direct watercolor, mixed media, and oil paint + cold wax medium , along with many single session classes ranging from book and paper arts to 3D, organizational journaling, brush pen lettering and airbrush.

There are some new instructors and classes to point out:

Meet Your Creative Self- “The Artist’s Way” taught by Tara Tieso, Brush Pen Lettering, and Shrink Film Charms classes taught by Kaytee Crawford, Drawing Animals from Photographs taught by Tracie Thompson, Making Watercolors Sing: Split Primary Color Theory taught by Tara Sweeney, and for those continuing in watercolor or acrylics, Watercolor II: Figures in Landscape and Acrylic Painting-Level 2+3 taught by veteran instructors Tara Sweeney and Carl Oltvedt (respectively).

We are fortunate to be able to partner with some of our manufacturers to bring you a selection of classes and events featuring expert instruction and excellent art materials including:

From the Pacific Northwest: renowned watercolorist, Ron Stocke and oil painter Angela Bandurka will give a demo and each will teach daylong classes featuring M.Graham Paints (Oregon), Introductory Airbrush featuring IWATA airbrush  (also headquartered in Oregon)  taught by Rurik Hover; Oil and Cold Wax Medium with R+F Handmade paints (out of New York) taught by the incredibly popular Julie Snidle (from St.Louis); Minneapolis-based instructor Diana Eicher’s Family Print Activity classes with Speedball/Akua printmaking supplies, the pride of Statesville, North Carolina!

From Minnesota-  Autograph Digital Projectors and Light Pads demo/tutorials with John Davis and Two classes using CAVE handmade paper (from across the river in Minneapolis) –Hand bound Sketchbooks taught by Bridget O’Malley, and Nature Journal: Book Arts and Writing classes taught by Amber Stoner.

In addition to classes you’ll find some incredible free demos and events this fall:

With 45+ classes and events, it’s going to be a bountiful and creative fall in the Wet Paint classroom. Hope to see you there!


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Wax on, wax off

Encaustic, a mixture of wax, pigment, and resin, is unlike any other paint…it’s not wet or dry, it’s hot or cold.  This makes it easy to start, stop, modify, and layer.  Encaustic does require a little more preparation than other paints – you need a heat source to warm it and decent ventilation for dispersing the fumes & gasses (generated when you heat something).  However, once you’re set up, the painting possibilities are nearly limitless.  It can be polished to a high gloss, carved, scraped, layered, collaged, dipped, cast, modeled, sculpted, textured, and combined with oil paint. It cools immediately, so that there is no drying time, yet it can always be reworked. Besides its versatility, encaustic is also very durable.  Wax is a natural preservative, so it protects its substrate.  It’s also very flexible, so it won’t crack or chip.  Just don’t leave your wax-based painting in the back seat of your car in August after you’ve been rejected from the State Fair…I’m not saying that happened to me or anything.

Painting with pigment & wax is a practice that dates back to antiquity.  The Greeks were painting their ships with wax as early as the Fifth Century BC…first to waterproof them, then – adding pigment – to decorate them.  The process of painting with encaustic reached its apex in the paintings that are known as the Fayum Mummy Portraits.  Beginning in the 1st Century AD, panels bearing the likeness of the deceased – painted in encaustic –  were mounted to the bands of mummified bodies prior to burial in Roman occupied Egypt.  This practice continued for nearly 300 years, until cultural and economic changes brought on by the fall of the Roman Empire – as well as cheaper, more immediate paint options – led to its disuse.  Encaustic mostly languished in obscurity until curious 18th Century antiquarians rediscovered the paint of the ancients.

Encaustic painting has had a real renaissance in the greater Saint Paul/Minneapolis area over the last dozen years.  A huge part of that can be traced back to our old friend – and accomplished encaustic painter – Jeff Hirst.  Many artists have had their introduction to painting with wax in workshops in Jeff’s Northeast Minneapolis studio.  These folks have gone on to become notable encaustic painters and instructors themselves, including former Wet Painter Jean Wright (who just taught a sold out class of her own at Wet Paint a few weeks ago).  If you want to turn out good like Jean, get yourself enrolled in one of Jeff’s workshops here…they’re all over the country!  Back to classes at Wet Paint: Saint Louis based artist Julie Snidle will be back this summer to teach her hugely popular encaustic, cold wax, and Pigment Stick classes.  If you haven’t signed up yet, you should…Julie’s classes have never not sold out!  Finally, if you don’t live nearby, but are interested in hot wax, Saint Paulite Clare O’Neill teaches online encaustic workshops at photoencaustic.com…check ‘em out!

RFhandmadePaints__beauty_cakesAnother fun thing about encaustic right now?  We just unpacked a box with twelve brand new encaustic colors from R&F in “easy-to-try” 40ml size blocks.  Check ‘em out here!  These join their “big brothers,” R&F’s 104ml encaustic blocks, and Enkaustikos Hot Cakes, in the encaustic department.

RFhandmadePaints__pigmentsticks_beauty_1Earlier, I mentioned Pigment Sticks and cold wax.  Let’s say you like the look & feel of encaustic, but the heat & ventilation are a problem.  Great news: there’s cold wax and Pigment Sticks!  Cold wax is a medium and finish used with oil paint to achieve encaustic-like effects without the heat.  Simply mix a little color in to your cold wax medium and apply to your substrate with a knife of brush and…mmmm, satiny lustre!  Wet Paint stocks cold wax medium from Gamblin, Williamsburg, Dorland’s and Michael Harding…we should have the right one for you!  R&F’s Pigment Sticks are an oil paint & wax combo in easy-to-use, easy-to-hold sticks.  Paint with ‘em directly on your substrate just like drawing with crayons, or use traditional painting tools to apply the color.  We have 102 colors of gestural lusciousness in two sizes.  Wanna get hooked?  Go see Joyce Lyon’s beautiful paintings at Groveland Gallery or watch this enticing video of Charles Forsberg. Both cold wax and Pigment Sticks can be integrated into either your encaustic or oil painting process.  Once you’ve introduced wax into your painting, though, it’s best to continue using it.

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Wet Paint is your “go-to” source for wax-based painting supplies and instruction!  Besides everything mentioned above, we also stock Enkaustikos Wax Snaps & HotSticks, mediums & waxes from Enkaustikos, R&F and Jacquard, and Encausticbords from Ampersand.  If you haven’t tried using wax/encaustic, I can’t recommend it enough.  There’s a real romance to the process and the results…the tactile qualities of the paint alone are worth the price of admission.


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Jumpstart Your Art with Mixed Media Collage

virginiaheadThis blog post is from Virginia, our Programming Manager at Wet Paint:

Join us in the Wet Paint classroom on Saturday, October 22nd for a 3 hour mixed media workshop with visiting artist Dana Brown.  You will make (and take) two unique mixed media pieces while exploring the potentials of Ampersand’s fantastic panels.  The workshop is offered twice – from 10am-1pm and again from 2pm-5pm – choose the one that’s best for you!

Mixed media collage allows you to experiment with dynamic compositions while you explore new techniques and materials. The change of approach from more conventional processes is great for generating original ideas that impact both the collage itself as well as your regular drawing and painting practice.

Dana is well known for the fun he brings to teaching, as well as his extensive knowledge of artists’ materials. This workshop is suitable for any level of art maker. It would be a great way to expand your experience of using a variety of media on the same surface, or just to try something different.

The $48 class fee includes all of the supplies we’ll use in the workshop: an 8×10 Claybord and an 8×10 Encausticbord for each participant, as well as Golden acrylic paints, Claybord/Scratchbord inks and the full line of Scratchboard tools, magazines for collage, drawing supplies, random materials for mixed media techniques, and essential studio supplies like brushes, glue and scissors. Register yourself – or your group – here.

More about Dana and Ampersand:

mixed102216Dana Brown is an artist from Austin, TX.  He has worked with Ampersand Art Supply for the past nine years educating artists and conservators from all over the world about Ampersand’s innovative contemporary artists’ panels. Dana’s personal art work is in a variety of media, ranging from oil painting to paper collage.

Originally from rural Iowa, Dana moved to Portland, Oregon, after completing his degree in studio painting. While there, he spent almost six years with oil paint company Gamblin Artists Colors, before moving to Texas to join Ampersand Art Supply. He loves working in the constantly evolving world of artists’ materials. He finds that this work reinforces his belief that access to information about the materials that we use helps support our personal, artistic intentions.

Ampersand Art Supply began hand-making museum quality panels in 1993, with the goal of offering artists  rigid, versatile, and permanent supports. Initially beginning with smooth, absorbent Claybord, Ampersand now offers ten different surface options; rejecting the, “one size fits all,” approach to painting surfaces. Ampersand hand-makes museum quality panels in Buda, Texas.


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Learn to Paint from a Modern Master

virginiahead

This blog post is from Virginia, our Event Coordinator at Wet Paint:

At Wet Paint we are fortunate to know so many incredible artists, many of whom are also great teachers. Carl Oltvedt is one of them.

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Reflections II

 

Carl taught at Minnesota State University, Moorhead, where he was a Professor in the School of Visual Arts for 32 years.  Back in the day, he worked for an art materials retailer in Minneapolis so his knowledge of art materials and uses is extensive.  You can see some of his paintings at Groveland Gallery where he is currently represented. His work is in national and international private and corporate collections. He currently has his painting Reflections II on view through January 2017 in the US Embassy in Olso, Norway.

Carl has a lot of credentials but he’s not intimidating…he is one of the most caring, attentive and skillful teachers you’d ever want to meet.

And here’s an opportunity to do just that when you sign up for Carl’s multi session  Introduction to Acrylic Painting class at Wet Paint, Tuesdays from 4:00-7:00pm, October 4th-November 1st.

In this class you will learn basic painting fundamentals – how to build a painting from start to finish, simple color theory and composition, and how colors mix and relate to one another.  The class starts out simply and more advanced technique is added in as the course progresses. You’ll be working from a still life. Paint and some shared supplies will be provided, though a few additional materials are required.

Starting a new medium can be daunting. Acrylic colors and mediums offer a huge array of choice which can be overwhelming. So it’s great to have expert guidance, a stretch of time to absorb it all, and materials chosen with your experience in mind.

I believe that real, long term enjoyment of a new medium comes from gaining knowledge of how to use the materials, combined with basic principles of art.  These foundations give the aspiring artist the best chance to realize their vision.  Whether you  are new to painting or painted years ago and want to get back into it, there is no time like the present to begin or begin again. I hope to see you there. Click here to find out more and register online.

Virginia McBride
Programming Manager

Space is limited…please register no later than Sunday, October 2nd


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Spring Classes at Wet Paint

Wet Paint has two definite camps of customers, one of learners and one of teachers.  There is a regular quest for classes and demos from those who hunger for more knowledge.  I believe it is the nature of many artists to be on a continuous path of learning.  At the same time there are artists who are so enthusiastic and passionate about their art that they cannot contain themselves from sharing their knowledge and experience.   I believe for many, being a teacher is synonymous with being an artist.  Wet Paint is a perfect place to introduce these two camps to each other and we are actively experimenting with different formats where these creative individuals intersect.

ioanastoianWe are fortunate to bring Ioana Stoian to Wet Paint for two origami workshops.  Ioana’s passion is paper and folding.  A professional and an active member of the International Association of Hand Papermakers and Paper artists, Stoian has written a book, Origami for All, Elegant Designs from Simple Folds, which contains her own original origami designs.  Each workshop has unique seasonal designs which you will learn from a master yet requires no previous experience.  We are trying out some new time slots on these classes, one on Tuesday evening, March 25th and one on Wednesday morning on April 16th.

wetpaintclassesJoyce Francis needs no introduction.  A master calligrapher in search of new artistic outlets, Joyce found the art of contemplative patterning, Zentangle, to be her new passion.  We have had other Zentangle workshops with Joyce and the participants always ask for more.  We have two sessions of the same class coming up on Saturday, March 22.  No experience required.

These classes at Wet Paint are all hands-on 2 hour workshops.  Materials are included and you will have a finished project at the end of the class.  There are workshop fees and registration is required.  You can sign up online, by phone or in person.  If classes don’t meet a minimum enrollment 3 days before the session begins, the class will be cancelled and your class fee will be refunded.

Special offer through March 16

If you sign up for one of these 4 classes over this weekend, you will receive a coupon to be used on a future purchase at Wet Paint. Click here to go to our Events page.

Wet Paint At Large

yumingzhuOver the past few years we have helped bring Sumi-e artist and teacher Yuming Zhu to the Twin Cities.  His following is so great we need to partner with other members of our creative community who have more space.  This April, Yuming is not only teaching a 2 day Sumi-e Painting workshop at Bloomington Theatre and Art Center (BTAC), he will also lecture to accompany an exhibit of his artwork at the Eagan Community Center.

Plus Yuming is offering a unique class on Mounting Techniques for Sumi-e Art on Monday, April 14th, at BTAC.  Many artists who have studied with Yuming have asked for training on this specific sumi-e technique of traditional wet mounting.  This is an intermediate to experienced class, focused on those with a sumi-e and/or framing background.  This is a unique opportunity to get hands-on experience at a master’s side.

The programs at BTAC and Eagan require registration through those respective venues.